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Daisy Edgar-Jones wore a cream-and-purple corset and skirt set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility. Stylist Dani Michelle said the vintage look had been central to the film’s fashion mood board and was sourced by Raffe Vintage.

Daisy Edgar-Jones wore a cream-and-purple corset and skirt set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility. The vintage look connected the actor’s red-carpet styling with her character Elinor Dashwood’s lavender wardrobe in the film, according to her stylist, Dani Michelle.

The outfit paired a cream corset with floral detailing and a sweetheart neckline with a two-tone skirt in muted purple. Edgar-Jones wore a semi-sheer shawl over her shoulders and matching open-toe heels, according to Harper’s Bazaar’s report. The corset set came from Chloé’s Spring 1999 collection, when McCartney was designing for the house.

Michelle said on Instagram that she began planning a fashion direction for Edgar-Jones after seeing the film earlier in the year. She wrote that the 1999 Chloé look was “center of our mood board” and credited vintage shop Raffe Vintage with sourcing it. The stylist also said Edgar-Jones had wanted to wear lavender to honor Elinor’s costumes.

Michelle described the Los Angeles appearance as the tour’s final red carpet and said the moment brought the film’s fashion references together. The source report characterizes the ensemble as a period-inspired interpretation, but the garment itself is a vintage runway look rather than a new custom design.

At a glance
reportWhen: Worn at the Los Angeles premiere; the s…
The developmentAt the Los Angeles premiere of Sense and Sensibility, Daisy Edgar-Jones wore a vintage Chloé corset set from Stella McCartney’s Spring 1999 collection.

A Vintage Look Tied to Elinor

The outfit made a direct visual link between Edgar-Jones’s character and her premiere styling: the lavender skirt echoed a color associated with Elinor’s costumes, while the corset and soft draping recalled the film’s period setting. That connection gave the red-carpet appearance a clear relationship to the project rather than treating it as a standalone fashion moment.

It also shows how archival fashion can serve a film’s promotional storytelling. Michelle’s account indicates that the vintage piece was selected as part of a broader character-based plan, then sourced through Raffe Vintage. For readers following celebrity style, the details offer a traceable account of how a historical reference, a specific runway collection and a film character informed one premiere outfit.

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The Press Tour’s Period References

Harper’s Bazaar described Edgar-Jones and Michelle’s press-tour approach as bringing Georgian-era style references into contemporary red-carpet dressing. The reported elements included corsetry, romantic undergarments and empire waists, drawing on the film’s period setting without requiring every look to reproduce historical clothing literally.

The Los Angeles premiere appearance was presented as the last stop in that red-carpet run. Michelle’s Instagram comments link the chosen Chloé set to the mood board she created after watching the movie, while the source report says the lavender tone was intended to honor Elinor’s wardrobe. The available account does not provide a full inventory of the tour’s other outfits or detailed information about the set’s original runway presentation.

““This 1999 Chloé by Stella McCartney was center of our mood board.””

— Dani Michelle, Edgar-Jones’s stylist, in an Instagram post

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Details Beyond the Premiere

The source report and Michelle’s post do not identify the set’s original runway model, its present owner, its price or whether it was altered for Edgar-Jones. They also do not give the exact date of the premiere. The account attributes the styling decisions to Michelle and notes Edgar-Jones’s preference for lavender, but does not describe the actor’s role in choosing this specific vintage garment.

The report calls this the tour’s final red carpet, but it does not establish whether other promotional appearances were planned or whether the film’s release schedule will prompt further events. No additional details about future styling plans are provided.

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After the Final Premiere Look

The reported next step is the end of Edgar-Jones’s premiere red-carpet run for Sense and Sensibility. No further appearances, wardrobe plans or follow-up announcements are confirmed in the source material. Readers can expect any additional information about the film’s promotion or the outfit’s provenance to come from the actor, stylist, vintage seller or event organizers.

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Key Questions

What did Daisy Edgar-Jones wear to the Los Angeles premiere?

She wore a cream corset with floral detailing and a two-tone purple skirt, with a sheer shawl and matching open-toe heels.

Which collection was the corset set from?

The set came from Chloé’s Spring 1999 collection, when Stella McCartney was designing for the fashion house.

Why was the outfit connected to Sense and Sensibility?

Stylist Dani Michelle said Edgar-Jones wanted to wear lavender to honor Elinor’s costumes. Michelle also said the vintage Chloé look was central to her mood board for the character’s fashion story.

Who sourced the vintage outfit?

Michelle credited Raffe Vintage with sourcing the look. The source does not provide further details about its ownership or purchase.

Source: rss

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